Tomoya Fujimoto was born in Bordeaux in 1989. After studying in Tokyo, he returned to Bordeaux to join the Beaux-Arts art school. In 2014, he earned a master's degree in photography from ENS Louis Lumi&egrave;re in Paris.
As a young photographer, he studied with still life specialists and chose this field as his preferred means of creative expression.
Tomoya particularly appreciates matter and the interaction between what is seen and what can be revealed by light. With his lens, he can intimately capture the movement and shimmering of the vast canvas of the ocean and expose the entire world caught on the surface of a leaf. By building a subtle balance between the marvelous and the trivial, Tomoya offers layered art enhanced by a surprising intimacy with his subjects, a reflection of his attachment to the profound nature of things.
He self-published &ldquo;Rien que la mer&rdquo; (Nothing but the sea) in July 2020. His book will be republished in September 2021 by Editions Amers.

Photography

Tomoya Fujimoto

Tomoya Fujimoto was born in Bordeaux in 1989. After studying in Tokyo, he returned to Bordeaux to join the Beaux-Arts art school. In 2014, he earned a master's degree in photography from ENS Louis Lumi&egrave;re in Paris...

Film maker and photographer Ryan Hopkinson works across disciplines with a refined aesthetic that plays to the sensibility of advertising and luxury image making. A collision of art and commerce, his projects marry highly conceptual art direction with precise styling and a polished eye for cinematic detail to create mesmerising and fascinating worlds for viewers to explore. Ryan&rsquo;s thematic and visual inspiration draws equally on fashion, art, science and technology.
His commercial and personal work has been commissioned by a range of brands and editorial titles including Louis Vuitton, Kenzo, Rolex, Reebok, Maison Francis Kurkdjian, Wall Paper magazine, The Museum of Jeddah with curation of the Tate Modern, Issey Miyake, Sony, Its Nice That, Wonderland, Nowness, Creative Review, amongst others. Ryan&rsquo;s work has won him top spots at the Cannes Lions International Festival of Creativity, The D&amp;AD Awards, and the Young Guns ADC Awards, amongst others. His talent has been recognised five times in the Creative Review Photography Annual.

England
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Film maker and photographer Ryan Hopkinson works across disciplines with a refined aesthetic that plays to the sensibility of advertising and luxury image making. A collision of art and commerce, his projects marry highly conceptual art direction with precise styling and a polished eye for cinematic detail to create mesmerising and fascinating worlds for viewers to explore.
 Ryan&rsquo;s thematic and visual inspiration draws equally on fashion, art, science and technology. It is this unique configuration of interests that inform the tonality and aura of his film and photography work, positioning both commercial and personal projects within a landscape entirely of his own devising. At the same time his palette of references frequently find expression through installation and sculptural works that bring together his practices as a cross-media artist.
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Overseeing all creative aspects of his video and stills work, Ryan draws on the expertise of an ever evolving curated network of collaborators to amplify the ambition and scope of all projects he undertakes. To date he has formed creative alignments with UVA, Lightning + Kinglyface, Bompas &amp; Parr, Alvin Leung &amp; StudioTooGood. His commercial and personal work has been commissioned by a range of brands and editorial titles including Issey Miyake, Sony, Its Nice That, Heineken, Twin, Nike, Wonderland, Lurpak, NOWNESS, Creative Review &amp; Chivas, amongst others.
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In 2013 Ryan was inducted into the Art Directors Club, New York, when he was awarded the prestigious status of Young Gun in their annual selection of leading emerging talent

Films

Ryan Hopkinson

Film maker and photographer Ryan Hopkinson works across disciplines with a refined aesthetic that plays to the sensibility of advertising and luxury image making. A collision of art and commerce, his projects marry highly conceptual art direction with precise styling and a polished eye for cinematic detail to create mesmerising and fascinating worlds for viewers to explore.

Christian Kleemann, set designer and prop stylist, has an innovative talent for balancing the knowledge of art with the complex demands of advertising and media. He can make things shine. His sharp intellect is refined through studied and practiced skills, making him a master of the still-life - daringly modernized, elegantly stylized. His language - the unexpected arrangement, the subtle balancing of colors and shapes and the application of objects - deepens the seductive stimulus for a lasting impression. Here a pinch of humor, there an illuminating counterpoint - a question that contains the answer.

Germany
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Christian Kleemann is convinced ideas matter more than means, hence making his more &ldquo;modest&rdquo; projects as good as his big budget commission work. His approach to all the challenges he&rsquo;s presented with is to create fascinating proposals, with a very keen directing eye, and a general knack for making something out of nothing. &ldquo;Making abundance look pretty&rdquo; could be a motto for this generous and deft stylist, set designer and &ldquo;digger&rdquo;. Once his objects become models of sorts to present clothing, you expect nothing less than pure class. His take on his art is neoclassical, as such, he respects still life in its noblest form and likes to give it a modern twist, setting it in a daily and energetic environment. He is one of the very few capable of mastering the extremely subtle association of style and arrangement of inanimate elements.

Set Design

Christian Kleemann

Christian Kleemann, set designer and prop stylist, has an innovative talent for balancing the knowledge of art with the complex demands of advertising and media. He can make things shine. His sharp intellect is refined through studied and practiced skills, making him a master of the still-life - daringly modernized, elegantly stylized.&nbsp;

Franck Benhamou has been involved in promoting fashion and luxury since the creation of Num&eacute;ro as Fashion Editor for 16 years.
Today an advisor to fashion houses, he is also fashion editor-in-chief at large of Mixte and the Chinese magazine SKP. He supports brands including Chanel Beaut&eacute;, Herm&egrave;s, Cartier, Karl Lagerfeld, Harper's Bazar UK magazines, Vogue China and the Condenast group.
Very close to photographers, he spots talents, experiments, and has collaborated, notably with Camilla Akrans, Matthew Brookes, Liz Collins, Thomas Cooksey, Peter Lindbergh, Petros, Solve Sundsbo, Julien Vallon&hellip;&nbsp;
Some series are considered iconic to this day.
Among his skills, there is also his advice to celebrities in editorials and advertising campaigns; his global vision and quality of image consulting give him authority in his field, recognized both in France and internationally.

Stylism & Brand consulting

Franck Benhamou

Today an advisor to fashion houses, Franck Benhamou is also fashion editor-in-chief at large of Mixte and the Chinese magazine SKP. He supports brands including Chanel Beaut&eacute;, Herm&egrave;s, Cartier, Karl Lagerfeld, Harper's Bazar UK magazines, Vogue China and the Condenast group.

If the plastic photo reportage exists, the Franco-English Aur&eacute;lien Chauvaud is surely one of those who know to honor it. When the social and human context specific to each subject is at the heart of the image, an interest in places and people is revealed through a strong aesthetic proposition. The place sometimes takes the upper hand over the individual, but never one goes without the other, and it is ultimately artistic documentaries that Aur&eacute;lien Chauvaud brings back from his various expeditions.
Also author of editorial portraits, he applies the same degree of reading to anonymous as well-known subjects, isolating the individual and his environment to make them the exclusive subject of his work. He collaborates regularly with AD and Milk magazines and in 2020 publishes on behalf of the author L.A Ments, a magazine - city portrait - produced in Los Angeles. Aur&eacute;lien won twice in 2020 for his campaigns "Les orphelins d&acute;Auteuil" and "Mac Do" an IPA Awards as well as to the artistic directors club.

France
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Visual arts photo coverage may be a relatively new art form, but Parisian photographer Aur&eacute;lien Chauvaud is definitely one of the most capable of honouring it with style. When each subject&rsquo;s own social and human context is at the very heart of the picture, an interest in places and people takes form, and is translated into an understated aesthetic proposal. Places sometimes take precedence over the subject, but you&rsquo;ll never get one without the other. In the end, Aur&eacute;lien Chauvaud always comes back from his various indoor and outdoor expeditions with artistic documentaries. The former assistant photographer who learned about the photographic process in the UK, also shoots editorial portraits: anonymous or famous subjects to whom he applies the same process, stripping them away from their environment to make each person the sole focus of his works.
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Aurélien Chauvaud

If the plastic photo reportage exists, the Franco-English Aur&eacute;lien Chauvaud is surely one of those who know to honor it. When the social and human context specific to each subject is at the heart of the image, an interest in places and people is revealed through a strong aesthetic proposition.&nbsp;

Franco-Irish duo composed of an artistic director and a photographer, initially noticed for bringing a unique vision to the kids and adolescents photography, Nick and Chlo&eacute; then explored the strangeness of an adult world and there mix a prolific imagination. Their images, rich in details, invite us to observe everything: staging and sense of the character in space served by a color work of great finesse form a style specific to the duo, dreamlike storyteller and player. Exhibited in 2019 at the Magasins G&eacute;n&eacute;raux for the "Futures of Love" exhibition, they also make personal and advertising films.

France/Germany
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French artistic director Chlo&eacute; Claverie was born in 1980, Irish photographer Nick West ten years before that. Since 2005, the pair has created photographs and films, passing on their very accurate vision of their era and placing portraits at the heart of scenarios. They especially gathered attention for breathing a new life into childhood photography, and enjoy putting a twist in the way they stage their pictures, slowly leaving the world of children&rsquo;s fairy tales behind, to take interest in the strangeness of an imaginary adult world. Beyond the first impression, their pictures are an open invitation to re-discover their identity, and take in every detail, from the staging, to the set design, colours and style. Already almost cinematic shots, Nick &amp; Chlo&eacute;&rsquo;s photos have naturally drawn them to filmmaking. An undertaking they&rsquo;ve taken on with the same drive and enthusiasm.
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<img src="https://api.fmalebureau.com/storage/common/LJujkbPKcLnrqnvvQF9iXAYIFnrE1Irl0tqM1Ogk.png" alt="" width="600" height="436" />
<img src="https://www.instagram.com/p/B_NUFlAKxkK/?igshid=1pl5rqyout6i3" alt="" />

Nick & Chloé

Franco-Irish duo composed of an artistic director and a photographer, initially noticed for bringing a unique vision to the kids and adolescents photography, Nick and Chlo&eacute; then explored the strangeness of an adult world and there mix a prolific imagination.

Marguerite Bornhauser was born in 1989. After studying literature at the Sorbonne, she joined the National School of Photography in Arles (ENSP), from which she graduated in 2015. Her work has been the subject of various exhibitions, notably at the European House of Photography (MEP) in Paris in 2019 but also in the streets of Cincinnati in the United States, at Les Rencontres de la Photographie d'Arles in 2019, during the Festival Planche(s) Contact in Deauville or at BETC and with Agn&egrave;s B. Marguerite Bornhauser most often accompanies her photographic research with editorial work. Her first self-publishing book, Plastic Colors, was selected in 2015 among the 10 finalists of the First Book Award by the publishing house MACK. It was published in 2017. His second book "8" was published in 2018 at Poursuite. She published her third book, Red Harvest, still at Poursuite during Paris Photo 2019. Photo London announced that Marguerite Bornhauser is the winner of the&nbsp;Emerging Photographer of the Year Award 2020, in partnership with Nikon Northern Europe. Besides her artistic practice, she regularly collaborates with the press for portraits, photo-reportage or fashion photography.

France
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Marguerite Bornhauser was born in 1989.
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After studying literature at the Sorbonne, she joined the National School of Photography in Arles (ENSP), from which she graduated in 2015. Her work has been the subject of various exhibitions, notably at the European House of Photography (MEP) in Paris in 2019 but also in the streets of Cincinnati in the United States, at Les Rencontres de la Photographie d'Arles in 2019, during the Festival Planche(s) Contact in Deauville or at BETC and with Agn&egrave;s B.
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Marguerite Bornhauser most often accompanies her photographic research with editorial work.
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Her first self-publishing book, Plastic Colors, was selected in 2015 among the 10 finalists of the First Book Award by the publishing house MACK. It was published in 2017. His second book "8" was published in 2018 at Poursuite. She published her third book, Red Harvest, still at Poursuite during Paris Photo 2019.
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Besides her artistic practice, she regularly collaborates with the press for portraits, photo-reportage or fashion photography.&nbsp;

Special Art Request

Marguerite Bornhauser

After studying litterature at the Sorbonne, Marguerite Bornhauser joined the National School of Photography in Arles (ENSP), from which she graduated in 2015. Her work has been the subject of various exhibitions, notably at the European House of Photography (MEP) in Paris in 2019 but also in the streets of Cincinnati in the United States, at Les Rencontres de la Photographie d'Arles in 2019, during the Festival Planche(s) Contact in Deauville or at BETC, with Agn&egrave;s B and with her gallery Carlos Carvallho Arte Conteporanea.&nbsp;
She has already published four books; the &nbsp;Editions La Martini&egrave;re with the collection &ldquo;Percevoir&rdquo; under the direction of Simon Baker in 2021 gives her the floor to talk about perception through colors and forms. She is about to publish her fifth opus &ldquo;When Black is burned&rdquo; with Simple Editions.
Marguerite Bornhauser won the Emerging Photographer of the Year Award 2020 at Photo London in partnership with Nikon Northern Europe. Besides her artistic practice, she regularly collaborates with press and brands for portrait and fashion photography.
In 2021, The Grand Palais gives her Carte Blanche to follow the renovation of the site during four years, which will give rise to a publication as well as an exhibition.&nbsp;
Marguerite Bornhauser most often accompanies her photographic research with editorial work.&nbsp;
The agence FMA le Bureau represents Marguerite in fashion, luxury, Cartes Blanches ans special projects for brands.
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Maud Ralli&egrave;re is part of the new generation of French photographers and directors.
After studying applied arts and graphic design, Maud Ralli&egrave;re trained in photography at Gobelins, l&rsquo;&Eacute;cole de l&rsquo;Image. Her practice of fashion photography is rooted in the expression of bodies in their most carnal sensuality.
With world-renowned photographer Helmut Newton as an influence, Maud Ralli&egrave;re inhabits a world of powerful, self-assured women, furthering the image of women in control of their bodies and desires.

Maud Rallière

Maud Ralli&egrave;re is part of the new generation of French photographers and directors.
After studying applied arts and graphic design, Maud Ralli&egrave;re trained in photography at Gobelins, l&rsquo;&Eacute;cole de l&rsquo;Image. Her practice of fashion photography is rooted in the expression of bodies in their most carnal sensuality.
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Bigtime is a scenography and design studio created in 2014 by Marion Flament and Jimme Cloo, after graduating from Arts D&eacute;co in Paris. Together, they have been developing an evolving, creative, and technical approach of design in the fields of culture, lifestyle, and art. As adepts of the "made-to-measure", their crossed views bring a renewed experience of space through different forms, as in Play House, the duo's founding trans-disciplinary project. Their research is centered on the dialogue and confrontation of materials, with an emphasis on the work of light which signs the spaces and objects designed by the studio.&nbsp;

Bigtime. Studio

Bigtime is a scenography and design studio created in 2014 by Marion Flament and Jimme Cloo, after graduating from Arts D&eacute;co in Paris. Together, they have been developing an evolving, creative, and technical approach of design in the fields of culture, lifestyle, and art...

Since her years at L&rsquo;Ecole du Louvre, Stephanie Brissay has forged her unique style referencing art history to intensify her vision and creations. She creates a silhouette both unattainable yet familiar at the same time. Drawing on inspiration from art combined with the style of the US TV sitcoms of the 60 &amp; 70s, and the Hollywood icons. After 6 years at Cond&eacute; Nast she became a freelance stylist Collaborating with Grazia, Marie-Claire, Express Styles, Stiletto, Collezioni among others. Stephanie worked with photographers such as Karl Lagerfeld, Ruven Afanador,Vincent Peters, Peter Knapp,Tyen, David Roemer,Terry Gates, Julia Noni, Simon Procter, Alastair Strong, Richard Burbridge, Audrey Corregan, Charlie Engman, Alexandre Weinberger, Eugenio Recuenco, Daniel Riera, Philippe Gay, Alastair Taylor Young, Paul Schmidt, Philippe Salomon, Christian Anwander, James Macari, Richard Bernardin. Directors: Karina Taira, Cyril Guyot, Eric Yfergan, Sarah Morandi and The Skinny.

France
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Since her years at L&rsquo;Ecole du Louvre, Stephanie Brissay has forged her unique style referencing art history to intensify her vision and creations. She creates a silhouette both unattainable yet familiar at the same time. Drawing on inspiration from art combined with the style of the US TV sitcoms of the 60 &amp; 70s, and the Hollywood icons. After 6 years at Cond&eacute; Nast she became a freelance stylist Collaborating with Grazia, Marie-Claire, Express Styles, Stiletto, Collezioni among others. Stephanie worked with photographers such as Karl Lagerfeld, Ruven Afanador,Vincent Peters, Peter Knapp,Tyen, David Roemer,Terry Gates, Julia Noni, Simon Procter, Alastair Strong, Richard Burbridge, Audrey Corregan, Charlie Engman, Alexandre Weinberger, Eugenio Recuenco, Daniel Riera, Philippe Gay, Alastair Taylor Young, Paul Schmidt, Philippe Salomon, Christian Anwander, James Macari, Richard Bernardin. Directors: Karina Taira, Cyril Guyot, Eric Yfergan, Sarah Morandi and The Skinny.

Stephanie Brissay

Since her years at L&rsquo;Ecole du Louvre, Stephanie Brissay has forged her unique style referencing art history to intensify her vision and creations. She creates a silhouette both unattainable yet familiar at the same time. Drawing on inspiration from art combined with the style of the US TV sitcoms of the 60 &amp; 70s, and the Hollywood icons.&nbsp;

Laziz Hamani is a still life photographer worldly-renowned in his approach of luxury. He has collaborated with the most distinguished brands and fashion houses, including Chanel, Louis Vuitton, Cartier, Dior, Ralph Lauren, Jaeger-Lecoultre amongst others.&nbsp; He also has authored more than 30 books with publishers such as Editions Assouline, Flammarion, and Axel Vervoordt. &nbsp;In 2009, his &ldquo;Itinerary of an Unfinished Canvas&ldquo; series is exhibited during the Biennale di Venezia as part of the &ldquo;Intuition&rdquo; exhibition in Palazzo Fortuny, curated by Axel Vervoordt. Laziz Hamani has followed a unique path that led him to become a luxury photographer, a respected author, and a Biennale di Venezia exhibitor; positioning him as one of the rare artists to achieve success in all three fields.

France
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Laziz Hamani is a still life photographer who was born in 1959. Over the past 20 years, he has collaborated with the most distinguished luxury brands and fashion houses, including Cartier, Dior, Ralph Lauren, Jaeger-Lecoultre, and Louis Vuitton... He has authored more than 30 books with publishers such as Editions Assouline, Flammarion, and Axel Vervoordt. Some of his most iconic books include Wabi Inspirations, ARTEMPO, Dior by Yves Saint Laurent, Living with Light, Dominique Stroobant, Jouets cultes du XX&egrave; si&egrave;cle, Antiquaires: Paris Flea Markets, The Grand Bazaar Istanbul. In 2009, his &ldquo;Itinerary of an Unfinished Canvas&rdquo; series is exhibited during the Biennale di Venezia as part of the &ldquo;Intuition&rdquo; exhibition in Palazzo Fortuny, curated by Axel Vervoordt. Laziz Hamani has followed a unique path that led him to become a world-renowned luxury photographer, a respected author, and a Biennale di Venezia exhibitor; positioning him as one of the rare artists to achieve success in all three industries.
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Laziz Hamani

Over the past 25 years, Laziz Hamani has collaborated with the most distinguished luxury brands and fashion houses, including Chanel, Louis Vuitton, Cartier, Dior, Ralph Lauren, Jaeger-Lecoultre ... He has authored more than 30 books with publishers such as Editions Assouline, Flammarion, Axel Vervoordt and exhibited at the Biennale di Venezia.

Denis Boulze passionnate with photography in his early years, he worked at Rouchon studio as first assistant with respected photographers like Sarah Moon, Jan Walter, Sofia and Mauro. He also directs films. His personal creation adopts alternatively both color and black&amp;white to interpret fashion series and still life, always obviously driven by a certain sense of poetry. A long term project based on his family portraits in their summer family house is about to be published, always with his very specific signature of softness and intemporality in his image. Analog photography suits to the sense of intimacy with his subjects that Denis obviously seeks and nurishes. He also collaborates with magazines such as Milk, Air France Magazine, D&eacute;dicate and for brands in photography and films like Weston with the art director Olivier Saillard, Er&egrave;s or Herm&egrave;s.

France
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Denis Boulze was born in France.&nbsp; After a BAC pro in photography, he worked at Rouchon studio as assistant for three years during which he worked as first assistant with photographers like Sarah Moon, Jan Walter, Eric Guillemain or Sofia and Mauro. He works in parallel on his personal development first by making portraits of young people of his generation in the studio, then outside, exploring other universes, from still life to fashion photography, to his&nbsp; family portrait on vacation, always of a great poetry. He also collaborates with magazines such as Air France Magazine, D&eacute;dicate, Tracks.
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&ldquo;I&rsquo;m looking for a balance between a certain softness and the picture&rsquo;s intensity. For both fashion photography and portraits, the person I&rsquo;m shooting is the central point of focus, and by working on the light, I bring them to a space capturing a state of dreaming and melancholy.&nbsp;I mostly work in monochrome or black and white, as this enables me to go straight to the heart of the matter and convey a rawer form of photography. Hands often occupy a significant place in my work, and I regularly treat them as full-fledged subjects, halfway between still lifes and portraits.&rdquo;
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Denis Boulze

Denis Boulze

Denis Boulze passionnate with photography in his early years, he worked at Rouchon studio as first assistant with respected photographers like Sarah Moon, Jan Walter, Sofia and Mauro. He also directs films. His personal creation adopts alternatively both color and black&amp;white to interpret fashion series and still life, always obviously driven by a certain sense of poetry.&nbsp;

Having grown up in a North London house surrounded by the work of her illustrator Dad and print designer student Mum, it was inevitable that Rosanna Webster would move towards a creative career. Experimenting with combinations of collage, photography and film, she has created instantly recognisable aesthetic for herself which has made her work highly desirable to brands, publishers and lovers alike.

England
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Having grown up in a North London house surrounded by the work of her illustrator Dad and print designer student Mum, it was inevitable that Rosanna Webster would move towards a creative career. Experimenting with combinations of collage, photogrpahy and film, she has created instantly recognisable aesthetic for herself which has made her work highly desirable to brands, publishers and lovers alike.

Digital Art work

Rosanna Webster

Originally from Marseille, 30 year old Bastien Internicola started his career as a Director of Photography, working in Fashion and Beauty videos for clients such as Printemps, Givenchy, Tommy Hilfiger as well as Mixte Magazine for whom he directed video series for Gucci or SKP Beijing.
He likes real-life tales and believes everybody has a story to tell, making his work tainted with a gentle, human approach, very close to a sociological process and true curiosity.

France
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Originally from Marseille, 30 year old Bastien Internicola started his career as a Director of Photography, working in Fashion and Beauty videos for clients such as Printemps, Givenchy, Tommy Hilfiger as well as Mixte Magazine for whom he directed video series for Gucci or SKP Beijing.
He likes real-life tales and believes everybody has a story to tell, making his work tainted with a gentle, humane approach.

Bastien Internicola

Originally from Marseille, 30 year old Bastien Internicola started his career as a Director of Photography, working in Fashion and Beauty videos for clients such as Printemps, Givenchy, Tommy Hilfiger as well as Mixte Magazine for whom he directed video series for Gucci or SKP Beijing.

Spending his time between New York and Beijing, Quentin Shih represents new school Asian photography. His elegant photographic style has conquered Asian fashion magazines, and he offers a form of Chinese &ldquo;rigor&rdquo; to international luxury houses, which he introduces to the archetypes of a national aesthetic tinted with State-enforced formality. In particular, the Dior fashion house has already collaborated with this talented artist, in keeping with its campaign to promote contemporary Chinese artists. Quentin Shih is like a playwright with his pictures, capable of painting true scenes, concepts set up in a theatrical manner. He always starts from a sketch, fascinated by the city and its lights. He brings down its walls and fa&ccedil;ades to invite the viewer inside. &ldquo;I personally love using cinematic style to show the loneliness of people in a surrealistic way, and I really care about the lighting, color and all the elements that can help to tell a story&rdquo;, tells us the artist who has us captivated with his &ldquo;augmented&rdquo; reality and is successfully trying his hand at filmmaking.

China-USA
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Spending his time between New York and Beijing, Quentin Shih represents new school Asian photography. His elegant photographic style has conquered Asian fashion magazines, and he offers a form of Chinese &ldquo;rigor&rdquo; to international luxury houses, which he introduces to the archetypes of a national aesthetic tinted with State-enforced formality. In particular, the Dior fashion house has already collaborated with this talented artist, in keeping with its campaign to promote contemporary Chinese artists. Quentin Shih is like a playwright with his pictures, capable of painting true scenes, concepts set up in a theatrical manner. He always starts from a sketch, fascinated by the city and its lights. He brings down its walls and fa&ccedil;ades to invite the viewer inside. &ldquo;I personally love using cinematic style to show the loneliness of people in a surrealistic way, and I really care about the lighting, color and all the elements that can help to tell a story&rdquo;, tells us the artist who has us captivated with his &ldquo;augmented&rdquo; reality and is successfully trying his hand at filmmaking.

Quentin Shih

Spending his time between New York and Beijing, Quentin Shih represents new school Asian photography. His elegant photographic style has conquered Asian fashion magazines, and he offers a form of Chinese &ldquo;rigor&rdquo; to international luxury houses, which he introduces to the archetypes of a national aesthetic tinted with State-enforced formality. In particular, the Dior fashion house has already collaborated with this talented artist, in keeping with its campaign to promote contemporary Chinese artists.&nbsp;

Following in a family tradition of sculptors, Elissa Castelbou began her studies at '&Eacute;cole Boulle' in Paris before turning to scenography at 'La Sorbonne', where she opened her creative horizons. Afterwards she continued her endeavors at ELLE magazine, discovering the fashion world, remaining for 13 years, and working as a fashion editor with top photographers like Steve Hyett, Matt Jones, Max Vadukule, Jan Welters, David Burton, Marcin Tzyska, Ben Watts, Alex Cayley, Kayt Jones, Laura Sciacovelli, Simon Burstall, and many others The imaginary worlds of childhood are an inexhaustible source of inspiration and has collaborated with MILK magazine since its first issue.
As a consultant for many fashion houses and shows, Elissa likes to collaborate in the creation of collections, bringing her universe tinged with artistic, cinematographic and musical references. In 2015, Joseph Ghosn appointed her as fashion deputy editor-in-chief at GRAZIA. In 2016, at the request of Laurence Mah&eacute;o, she became head of image at the luxury ready-to-wear house LA PRESTIC OUISTON. Since 2018, she is a &nbsp;freelance stylist and consultant for Grazia, Milk magazine, V&eacute;ronique Leroy, Minelli... At the same time, she regularly participates in juries and workshops for fashion schools: Esmod, Duperr&eacute;&hellip; While collaborating with The Drawer magazine on an artistic project of edition called POIL.

Following in a family tradition of sculptors, Elissa Castelbou began her studies at '&Eacute;cole Boulle' in Paris before turning to scenography at 'La Sorbonne', where she opened her creative horizons. Afterwards she continued her endeavors at ELLE magazine, discovering the fashion world, remaining for 13 years, and working as a fashion editor with top photographers like Steve Hyett, Matt Jones, Max Vadukule, Jan Welters, David Burton, Marcin Tzyska, Ben Watts, Alex Cayley, Kayt Jones, Laura Sciacovelli, Simon Burstall, and many others.
The imaginary worlds of childhood are an inexhaustible source of inspiration and has collaborated with MILK magazine since its first issue.
 As a consultant for many fashion houses and shows, Elissa likes to collaborate in the creation of collections, bringing her universe tinged with artistic, cinematographic and musical references.
 In 2015, Joseph Ghosn appointed her as fashion deputy editor-in-chief at GRAZIA. In 2016, at the request of Laurence Mah&eacute;o, she became head of image at the luxury ready-to-wear house LA PRESTIC OUISTON.&nbsp; Since 2018, she is a &nbsp;freelance stylist and consultant for Grazia, Milk magazine, V&eacute;ronique Leroy, Minelli...
 At the same time, she regularly participates in juries and workshops for fashion schools: Esmod, Duperr&eacute;&hellip; While collaborating with The Drawer magazine on an artistic project of edition called POIL.

Elissa Castelbou-Loiret

Following in a family tradition of sculptors, Elissa Castelbou began her studies at '&Eacute;cole Boulle' in Paris before turning to scenography at 'La Sorbonne', where she opened her creative horizons. Afterwards she continued her endeavors at ELLE magazine, discovering the fashion world, remaining for 13 years, and working as a fashion editor with top photographers.

Paul &amp; Henriette met at the the National school ENSP &nbsp;in Arles where they studied photography. In their studio, created in Paris in 2012, they imagine photographs, books, installations. Adepts of minimalism, shapes and colors, they constantly try, in compositions of an apparent simplicity to hatch a mixed sense of strangeness, game and a vibrant sensuality. Associated artists in Centquatre during three years, they participate in various group exhibitions. They regularly collaborate with different magazines and luxury brands.

France
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Paul &amp; Henriette met at the&nbsp;L&rsquo;&Eacute;cole Nationale Sup&eacute;rieure de la Photographie&nbsp;in Arles. One practiced an intuitive and sensitive photograph; the other had a more conceptual and reflective approach to the image. What may appear as a fundamental opposition has brought them closer in a magnetic way.
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 In their studio, created in Paris in 2012, they imagine photographs, books of pictures, installations. Adepts of minimalism, they constantly try, in compositions of an apparent simplicity to hatch a sense of strangeness and a vibrant sensuality. Associated artists in Centquatre during three years, they participate in various group exhibitions. They regularly collaborate with different magazines and luxury brand

Paul et Henriette

Paul &amp; Henriette met at the the National school ENSP &nbsp;in Arles where they studied photography. In their studio, created in Paris in 2012, they imagine photographs, books, installations. Adepts of minimalism, shapes and colors, they constantly try, in compositions of an apparent simplicity to hatch a mixed sense of strangeness, game and a vibrant sensuality.

Nick Meek, Originally from the North of England has carved a career that has seen him travel the world.&nbsp; Open, simple, and powerful compositions, a timeless quality that gives an atmospheric resonance, and a colour palette that is both playful and refined are central to Nick Meek&rsquo;s artistic practice.&nbsp; His photographic eye is drawn to landscapes and natural beauty all over the world, transforming it with a perpetually delighted gaze.
Nicks advertising campaigns for Adsolute, Audi, American Airlines, Mercedes, Smirnoff, Sony, Stella Artois, VW &amp; Vespa have earned him awards from D&amp;AD, Cannes Lions, Communication Arts and The One Show.
 His first monograph Unreliable Memories was shown at Paris Photo and Unseen Amsterdam and selected as one of the best phonebooks of 22 at Photo Espania.

England &nbsp;
Nick Meek was very influenced by the North of England from where he hails: &ldquo;I was born in the North of England where it can be quite grey and the summers are quite short. I think this had a huge effect on me as a human being&hellip; It made me hungry for warmth and colour and, I suppose, adventure. It made me want to explore the world and that I think my photographs show&hellip; more than anything else a world that is full of light&rdquo;. Nick specifically chose the United States to fill up on pictures. The USA, known for its breath-taking scenery, the excessiveness of the settings you&rsquo;re always surrounded with. Meek sets in a feeling of contemplative distance but also the sensation of being thrown into the picture thanks to sculptural sets. Almighty nature and the four-wheeled beasts created by the automobile industry: territories and industries in perfect symbiosis. The power of deserted areas only amplified as potential development areas for US super cities. Emptiness and urban development, brought together by one visual transmission force

Nick Meek

Nick Meek, Originally from the North of England has carved a career that has seen him travel the world. &nbsp;Open, simple, and powerful compositions, a timeless quality that gives an atmospheric resonance, and a colour palette that is both playful and refined are central to Nick Meek&rsquo;s artistic practice.&nbsp; His photographic eye is drawn to landscapes and natural beauty all over the world, transforming it with a perpetually delighted gaze.
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After studying theater and scenography, Mari David began her fashion design training at Atelier Chardon Savard in Paris and made her first classes with Catherine Baba. She pursued her apprenticeship at the Paris office of Vogue Italy while assisting Sara Maino and Giovanna Battaglia consecutively for several years.
Mari has since collaborated with prestigious magazines, such as Vogue russia, Vogue Taiwan, W Magazine among others. She also gives a great importance to the independent press with which she has established a long-term collaboration. Brands such as Cartier, Swarovski, Each x Other or Lacoste collaborate with her with for their campaigns and look books.

Mari David

After studying theater and scenography, Mari David began her fashion design training at Atelier Chardon Savard in Paris and made her first classes with Catherine Baba. She pursued her apprenticeship at the Paris office of Vogue Italy while assisting Sara Maino and Giovanna Battaglia consecutively for several years.

Dimitri first studied science and technology. The word &ldquo;technography&rdquo; comes to the mind as you stand captivated by his research of extreme. He calls upon attention, bodies and technology to display his specific vision of the very mutation of Human kind. Bodies in motion or statues frozen in their evolution by Dimitri Daninoff&rsquo;s processes are the tools and mirrors of his obsessions and intuitions. His concepts, although a bit disturbing at first glance, create a paradoxical atmosphere that has seduced the biggest players of the contemporary leisure or pr&ecirc;t-&agrave;-porter fashion industries, cementing Dimitri Daniloff&rsquo;s reputation as an advertising and gallery photographer with a strong identity. Twisting reality, &ldquo;making the invisible visible&rdquo;, while remaining in an ambiguous virtual/reality context.

France
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Dimitri first studied science and technology. Which makes sense given that only the most innovative of visual technologies can enable him to present his highly obsessional concepts. The word &ldquo;technography&rdquo; comes to mind as you stand captivated by his works, where bodies under duress are presented. He calls upon matter, bodies and technology to display his specific vision of the very mutation of Men. Bodies in motion or statues frozen in their evolution by Dimitri Daninoff&rsquo;s processes: the tools and mirrors of his obsessions and intuitions. His concepts, although a bit disturbing at first glance, are attractive and create a paradoxical atmosphere that has seduced the biggest players of the contemporary leisure or pr&ecirc;t-&agrave;-porter fashion industries, cementing Dimitri Daniloff&rsquo;s reputation as an advertising and gallery photographer with a strong identity. Twisting reality, &ldquo;making the invisible visible&rdquo;, while remaining in an ambiguous virtual/reality context.

Dimitri Daniloff

Dimitri first studied science and technology. The word &ldquo;technography&rdquo; comes to the mind as you stand captivated by his research of extreme. He calls upon attention, bodies and technology to display his specific vision of the very mutation of Human kind.&nbsp;

Finke lives in Brooklyn and is passionate about travel, tattoos, barbecue, and biking. Brian Finke's visual cultural commentary focuses on authenticity and the absurdity of everyday life and the range of human behavior. A stylized documentarian and trained photojournalist, Finke&rsquo;s honesty and intimacy when capturing subjects strikes at the core of contemporary life. From street photography to commercial portraiture to fashion editorials, his immersion in culture-at-large creates imagery that is deeply tied to the political and emotional undertones of the modern world.&nbsp; He is the author of several books, and his first monograph, 2, 4, 6, 8 was named in 2003 one of the best photography books by American Photo magazine. Earlier in his career, he won a prestigious New York Foundation for the Arts Fellowship. His work is in nine museum collections in the U.S. and abroad, and he regularly shoots for editorial clients like National Geographic, M magazine, and The New York Times as well as commercial clients, including Delta Airlines, Uber Eats, and eBay. His &nbsp;last monograph Backyard Fights has been released by Hat &amp; Beard Press Spring 2022

Brian Finke

Finke lives in Brooklyn and is passionate about travel, tattoos, barbecue, and biking. Brian Finke's visual cultural commentary focuses on authenticity and the absurdity of everyday life and the range of human behavior. A stylized documentarian and trained photojournalist, Finke&rsquo;s honesty and intimacy when capturing subjects strikes at the core of contemporary life.

Born in 1980 in Washington DC, she works in Brooklyn, New York.
A graduate of Yale University and with a Master's of Fine Arts in Advanced Photographic Studies from Bard College NY, Hannah Whitaker develops her aesthetic with objects and humans through a straight photography approach and solid knowledge of light and image construction.
Whether through multiple exposures on film or a digital camera, her photographs play with patterns, geometry, and silhouettes.&nbsp;
She has been shown in multiple exhibitions in the US and France, and was nominated for the Prix D&eacute;couvertes at les Rencontres d&lsquo;Arles 2012 and Foam Talent in 2014. She is represented by the Galerie Christophe Gaillard where she had a solo exhibition and presentation at Paris Photo in 2021.
She regularly does commissions with luxury brands and magazines like The New York Times, in addition to collaborations with companies and labels for special projects.

Hannah Whitaker

Through multiple exposures on film or a digital camera, her photographs play with patterns, geometry, and silhouettes. She has been shown in multiple exhibitions in the US and France, and was nominated for the Prix D&eacute;couvertes at les Rencontres d&lsquo;Arles 2012 and Foam Talent in 2014. She is represented by the Galerie Christophe Gaillard where she had a solo exhibition and presentation at Paris Photo in 2021.

Charlotte Navio was born in Marseille in 1991. She spent her youth in the south of France, studied plastic arts in Aix-en-provence and joined Gobelins image school in Paris in 2012. She started as a teenager by photographing her loved ones in the south and she developed a love for sunlight, natural and raw decor. Her work naturally evolved towards the world of fashion and beauty, where she can mix spontaneity and dynamism through her images. Femininity in all its forms and the affirmation of a generation become recurring subjects in her personnal work, brands like &nbsp;Princess Tam Tam, Aigle , Citadium or Nuxe identified her work as a joyfull testemony of her time.

France
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Charlotte Navio was born in Marseille in 1991. She spent her youth in the south of France, studied plastic arts in Aix-en-provence and joined Gobelins image school in Paris in 2012.
She started as a teenager , by photographing her loved ones in the south and it was at this moment that she developed a love for sunlight, natural and raw decor. People are what attracts her. Her work therefore naturally evolves towards the world of fashion and beauty, where she can mix spontaneity and dynamism through her images.
Femininity in all its forms and the affirmation of a generation become recurring subjects in his work, which we find in particular in his campaigns for Princess Tam Tam, Aigle or Citadium.

Charlotte Navio

Charlotte Navio spent her youth in the south of France, studied plastic arts in Aix-en-provence and joined Gobelins image school in Paris in 2012. She started as a teenager by photographing her loved ones in the south and she developed a love for sunlight, natural and raw decor. Her work naturally evolved towards the world of fashion and beauty, where she can mix spontaneity and dynamism through her images.&nbsp;

Whether it be with a more understated approach to subtly emphasise jewellery, or dedicated to larger-scale projects (including play with shapes and matter), Anne Chu Ba always brings in her personal, expert touch. Painstakingly meticulous when practising the art of collage, amazingly capable of giving the most mundane of materials a whole new sense of direction, Anne Chu Ba is really much more than just a fantastic set designer: she&rsquo;s really a &ldquo;transformer&rdquo;. With her very polished aesthetic, she always provides the classiest solutions to the visual challenges of the luxury industry, and has fun working from next to nothing in her more unorthodox collaborations. Indeed, Anne is a jack-of-all-trades, as she has proven herself more than once in the art of window display design. A true creator of worlds, the Frenchwoman is a rare and multifaceted bird.

France
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Whether it be with a more understated approach to subtly emphasise jewellery, or dedicated to larger-scale projects (including play with shapes and matter), Anne Chu Ba always brings in her personal, expert touch. Painstakingly meticulous when practising the art of collage, amazingly capable of giving the most mundane of materials a whole new sense of direction, Anne Chu Ba is really much more than just a fantastic set designer: she&rsquo;s really a &ldquo;transformer&rdquo;. With her very polished aesthetic, she always provides the classiest solutions to the visual challenges of the luxury industry, and has fun working from next to nothing in her more unorthodox collaborations. Indeed, Anne is a jack-of-all-trades, as she has proven herself more than once in the art of window display design. A true creator of worlds, the Frenchwoman is a rare and multifaceted bird. 
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Anne Chu Ba

Whether it be with a more understated approach to subtly emphasise jewellery, or dedicated to larger-scale projects (including play with shapes and matter), Anne Chu Ba always brings in her personal, expert touch. Painstakingly meticulous when practising the art of collage, amazingly capable of giving the most mundane of materials a whole new sense of direction, Anne Chu Ba is really much more than just a fantastic set designer: she&rsquo;s really a &ldquo;transformer&rdquo;.&nbsp;

Letizia Le Fur graduated from the Ecole des Beaux-Arts in France in 1998 and first trained as a painter. With the encouragement of artist and teacher Val&eacute;rie Belin, she soon turned her aesthetic quest to photography.
Her work centers on the depiction of beauty and the representation of a fantasized otherworld. Letizia Le Fur&rsquo;s attention to color is very particular; like a painter, she mixes colors on her palette, isolates and transforms, corrects, adds, exalts the tones, amplifies them to transcend reality and creates this sensation of unreal world.
&nbsp;Nominated for the Niepce Prize (2022), winner of the Leica/Alpine Prize (2018), the BNF's Grande Commande Photographique (2022) as well as the &ldquo;Fen&ecirc;tres Ouvertes Prize&rdquo; organized by the MEP (2020), she was also resident for the Planches Contact festival in Deauville (2020), and the InCadaques festival (2021).
&nbsp;In parallel to her artistic work, Letizia Le Fur collaborates with advertising, press (AD, New York Times, Milk &hellip;)
She published Mythologies - Chap. I &amp; II &nbsp;in 2021 and Mythologies - Chap. III in 2022 with Editions Rue du Bouquet.&nbsp;
&nbsp;She is also a Leica ambassador since 2019 and is currently preparing her next solo exhibition in the French Institute in Madrid.

Letizia Le Fur

Her work centers on the depiction of beauty and the representation of a fantasized otherworld. Letizia Le Fur&rsquo;s attention to color is very particular; like a painter, she mixes colors on her palette, isolates and transforms, corrects, adds, exalts the tones, amplifies them to transcend reality and creates this sensation of unreal world.

Photography

Films

Stylism & Brand consulting

Digital Art work

Special Art Request

Set Design

Ryan Hopkinson

Photography & Films

Bastien Internicola

Films

Nick & Chloé

Photography & Films

Nick Meek

Photography & Films

Maud Rallière

Photography & Films