Bigtime is a scenography and design studio created in 2014 by Marion Flament and Jimme Cloo, after graduating from Arts D&eacute;co in Paris. Together, they have been developing an evolving, creative, and technical approach of design in the fields of culture, lifestyle, and art. As adepts of the "made-to-measure", their crossed views bring a renewed experience of space through different forms, as in Play House, the duo's founding trans-disciplinary project. Their research is centered on the dialogue and confrontation of materials, with an emphasis on the work of light which signs the spaces and objects designed by the studio.&nbsp;

Set Design

Bigtime. Studio

Les Grandes Serres - EnsAD

Scenography of the exhibition "Bureau d'investigation du sacr&eacute;" at EnsAD curated by Jeanne Mercier. "Since 2019, students and teachers from the Ecole des Arts D&eacute;coratifs, thinkers and invited artists have been questioning the inscription of the sacred, the spiritual and religions in contemporary creation.&nbsp;
Les grandes serres, Pantin Winter 2022
EnsAD

Bureau d’investigation du sacré

Superstar - Johnny Jane

La Veste la Veste

dyptique

Love songs

La Samaritaine

Windows

Citizen K

Anarchy in the CK with Isabelle Bonjean

Alice Pallot

FOMU Anvers

Tag Heuer

Hands

Mains d’oeuvres, Saint-Ouen

Collaboration with the photographers duo Elsa &amp; Johanna for their solo show at the art centre Mains d'&OElig;uvres. Design and production of the overall scenography and in situ pieces designed specifically for the exhibition space in order to immerse the visitor in a setting inspired by the photographers' scenes.
Photo &copy;Elsa &amp; Johanna and Bigtime studio.

Rosarium - Elsa & Johanna

Maxime Simoens

Set Design for the 2019 MX Look Book (Maxime Simoens). Design of a 90's style office set in the studio and accessorizing of the entire set.
photographe : Quentin Legallo
cr&eacute;ation vid&eacute;o: Cl&eacute;ment Dezelus

The Office

Théâtre - MC93

Scenography for artist Irvin Anneix's video installation "Cher Futur Moi" (Dear Futur Me). Irvin Anneix invites young people between 15 and 20 years old, all over France, to entrust themselves, face to face, alone in their room, to their "future self" in 10 years. The videos are presented over five installations, each inspired by categories of emotions felt in the testimonies.
&nbsp;
MC93, septembre 2019
Maison des m&eacute;tallos, mai 2021
Biennale de Lyon, septembre 2020
Commissaire de l&rsquo;installation : Matthias Tronqual

Cher futur moi - Irvin Anneix

Ruinart

Glass sculptures created for Ruinart, at the request of the Fisheye agency in charge of creating new content for the Champagne house's Instagram account. The sculptures were conceived as a set of balance and assembly made from the brand's emblematic bottles.&nbsp;
The sculptures have been on display since June 2021 at the Cheval Blanc in Saint-Tropez.
Photo &copy; Rachelle Simoneau.

Sculptures

Orient Express

Set design of the inspiration catalogue created for the designers and interior architects of the Orient Express hotel chain. Still lives including pieces from the studio's core research.
Photo &copy; Yvonne Club.

Carnet de tendances

Garagisme

Set Design for an editorial of the Contemporary Automotive Journal Garagisme.
Photos H&eacute;l&egrave;ne Mastandr&eacute;as.

élégie Orientale

La Ménagerie de Verre

La fin des forêts - Benjamin Bertrand

Circulation(s) - European young photography festival

Festival Circulation(s) 2022

Vimala Pons

le périmètre de Denver

Yvonne Club

Set design for the campaign photos of the leather goods brand Mama Benz. The set is based on the visual principle of packaging and covered shapes and volumes.
Photo &copy; Yvonne Club.

Mama Benz

Fusalp

Campaign

Sculptures made of natural stone and mouth-blown glass, resulting from a research about balance and confrontation of materials. The molten glass is blown directly onto the stone, then solidifies on it, fixing the imprint of the rock. &nbsp;The two elements unite in balance, immobilizing a key position in the meeting of materials.
Photo &copy; Bigtime, Leonard Oliviero

Verre de Pierre

Nuit Blanche

Installation and performance created for the Nuit Blanche of Brussels.&nbsp;
On a large light programmed floor, two performers sculpt temporary landscapes, systematically swept away by fans placed around the stage which are switched on at regular intervals. Each time, the same sequence is repeated: the storm sweeps away the sculpted form; the performance shapes the volume of the landscape; the motionless installation offers a time for contemplation and meditation.&nbsp;
In response to the theme of "Borders", the space on the stage becomes a mountain, a shoreline, a river, an island or a road, like numerous muting and moving landscapes.&nbsp;
Photo &copy; Olivier Foeller

Déplacer les montagnes - Bruxelles

Lafayettanticipation

Scenography for the exhibition organized by Lafayettanticipation in the former premises of Weber M&eacute;taux.
The exhibition laid the foundation for the opening of the building in early 2018.

FIAC 2016

Musée Picasso Paris

For the end of the cultural event "Picasso-M&eacute;diterran&eacute;e", we designed the scenography of the final exhibition which took place at the Picasso Museum in Paris.Taking full advantage of the first floor of the museum, we imagined an arched piece of furniture that follows the volumes of the building and evokes the Mediterranean architecture in a refined and contemporary way.
The exhibition puts the life and work of Pablo Picasso into perspective by studying the richness of the links between the artist and the Mediterranean. Through an immersive and poetic journey, the exhibition provides a glimpse of Picasso's Mediterranean, from the landscape of his native Spanish ports to the studios of the last years of his life, via the C&ocirc;te d'Azur resorts and the culminating Midi of Antibes, Vallauris and Cannes.
A large wall with stylized alcoves is the main feature of the scenography, allowing a selection of the artist's ceramics to be displayed.
Commissaires : Emilie Bouvard, conservatrice du patrimoine au Mus&eacute;e national Picasso-Paris, coordinatrice scientifique du projet &laquo; Picasso-M&eacute;diterran&eacute;e &raquo; et Camille Frasca, charg&eacute;e de mission au Mus&eacute;e national Picasso-Paris, cheffe de projet &laquo; Picasso-M&eacute;diterran&eacute;e &raquo;. Graphisme : Solide. Programmation vid&eacute;o : Studio Bruyant. Photo &copy; Martion Argyroglo

Obstinement Mediterraneen

Bigtime is a scenography and design studio created in 2014 by Marion Flament and Jimme Cloo, after graduating from Arts D&eacute;co in Paris. Together, they have been developing an evolving, creative, and technical approach of design in the fields of culture, lifestyle, and art...