Bigtime. Studio
Set Design
Bigtime is a scenography and design studio created in 2014 by a tightly-welded duo who graduated from Arts Déco in Paris, Marion Flament et Jimme Cloo. Together, they have been developing an evolving, creative, and technical approach of design in the fields of culture, lifestyle, and art. As adepts of the "made-to-measure", their crossed views bring a renewed experience of space through different forms, as in Play House, the team's founding trans-disciplinary project. Their research is centered on the dialogue and confrontation of materials, with an emphasis on the work of light which signs the spaces and objects designed by the studio.
Festival Circulation(s) 2023
Set design for the Circulation(s) 2023 festival at CENTQUATRE-PARIS.
Benjamin Bertrand - La Ménagerie de Verre
Bureau d’investigation du sacré - Les Grandes Serres - EnsAD
Scenography of the exhibition "Bureau d'investigation du sacré" at EnsAD curated by Jeanne Mercier. "Since 2019, students and teachers from the Ecole des Arts Décoratifs, thinkers and invited artists have been questioning the inscription of the sacred, the spiritual and religions in contemporary creation.
Les grandes serres, Pantin Winter 2022
EnsAD
Festival Circulation(s) 2022
FIAC 2016 - Lafayette Anticipations
Scenography for the exhibition organized by Lafayettanticipation in the former premises of Weber Métaux.
The exhibition laid the foundation for the opening of the building in early 2018.
Irvin Anneix Installation - Théâtre - MC93
Scenography for artist Irvin Anneix's video installation "Cher Futur Moi" (Dear Futur Me). Irvin Anneix invites young people between 15 and 20 years old, all over France, to entrust themselves, face to face, alone in their room, to their "future self" in 10 years. The videos are presented over five installations, each inspired by categories of emotions felt in the testimonies.
MC93, septembre 2019
Maison des métallos, mai 2021
Biennale de Lyon, septembre 2020
Commissaire de l’installation : Matthias Tronqual
Obstinément Méditerranéen - Musée Picasso Paris
For the end of the cultural event "Picasso-Méditerranée", we designed the scenography of the final exhibition which took place at the Picasso Museum in Paris.Taking full advantage of the first floor of the museum, we imagined an arched piece of furniture that follows the volumes of the building and evokes the Mediterranean architecture in a refined and contemporary way.
The exhibition puts the life and work of Pablo Picasso into perspective by studying the richness of the links between the artist and the Mediterranean. Through an immersive and poetic journey, the exhibition provides a glimpse of Picasso's Mediterranean, from the landscape of his native Spanish ports to the studios of the last years of his life, via the Côte d'Azur resorts and the culminating Midi of Antibes, Vallauris and Cannes.
A large wall with stylized alcoves is the main feature of the scenography, allowing a selection of the artist's ceramics to be displayed.
Commissaires : Emilie Bouvard, conservatrice du patrimoine au Musée national Picasso-Paris, coordinatrice scientifique du projet « Picasso-Méditerranée » et Camille Frasca, chargée de mission au Musée national Picasso-Paris, cheffe de projet « Picasso-Méditerranée ». Graphisme : Solide. Programmation vidéo : Studio Bruyant. Photo © Martion Argyroglo
Rosarium - Elsa & Johanna - Mains d’oeuvres, Saint-Ouen
Collaboration with the photographers duo Elsa & Johanna for their solo show at the art centre Mains d'Œuvres. Design and production of the overall scenography and in situ pieces designed specifically for the exhibition space in order to immerse the visitor in a setting inspired by the photographers' scenes.
Photo ©Elsa & Johanna and Bigtime studio.
Déplacer Les Montagnes - Bruxelles - Nuit Blanche
Installation and performance created for the Nuit Blanche of Brussels.
On a large light programmed floor, two performers sculpt temporary landscapes, systematically swept away by fans placed around the stage which are switched on at regular intervals. Each time, the same sequence is repeated: the storm sweeps away the sculpted form; the performance shapes the volume of the landscape; the motionless installation offers a time for contemplation and meditation.
In response to the theme of "Borders", the space on the stage becomes a mountain, a shoreline, a river, an island or a road, like numerous muting and moving landscapes.
Photo © Olivier Foeller
