Statumanoids depicts a generation caught between flesh and fiction, where youth takes form in hybrid beings—part statue, part humanoid. Their features evoke the undead, theatrical and fragile, echoing both classical sculpture and post-human ambiguity. The name itself, a fusion of “statue” and “humanoid,” signals this duality. Outfits blend baroque theatricality with urban streetwear, creating an anachronistic tension—between Commedia dell’arte and fashion editorial, melancholy and burlesque. These visual tableaux reference academic poses while twisting them into something unsettlingly contemporary. Each figure becomes a study in identity metamorphosis: frozen, unstable, always in flux. Through generative tools, forms are reconfigured—bodies become improvisations, merging mineral, organic, and digital textures. In this alchemy of contrasts, the work interrogates what it means to be human when even our skin becomes simulation.